For many composers, getting a piece played by a single American orchestra is a major coup. A repeat in another city is a rare victory; a third outing is a miracle. So it’s not clear what one should call the run that Joan Tower’s Made in America had in the early 2000s, when it was performed by more than 65 orchestras in all 50 states.
A lifelong champion of living composers, Tower became an advocate for women composers specifically, taking stands on granting panels and fighting for compatriots like Tania León and Jennifer Higdon.
Read the full tribute article by William Robin.