Classical 91.5

Jeff Spevak

Jeff Spevak has been a Rochester arts reporter for nearly three decades, with seven first-place finishes in the Associated Press New York State Features Writing Awards while working for the Democrat and Chronicle. He has also been published in Musician and High Times magazines, contributed to WXXI, City newspaper and Post magazine, and occasionally performs spoken-word pieces around town. Some of his haikus written during the Rochester jazz festival were self-published in a book of sketches done by Scott Regan, the host of WRUR’s Open Tunings show. Spevak founded an award-winning barbecue team, The Smokin’ Dopes, and believes Bigfoot is real. His book on the life of a Lake Ontario sailor who survived the sinking of his ship during World War II will be published in April of 2019 by Lyons Press.

In his four decades of working in the music business, Quake Mark says he’s had a gun pulled on him three times, he’s been shot once, stabbed twice, overdosed once, been in three bus crashes, four bus fires and has survived two plane crashes, including with the Goo Goo Dolls in 1999 when the band’s plane skidded off a runway in Italy.

But this coronavirus pandemic could be the end of his career as a sound technician, production manager and tour manager, “which is a fancy way of saying I’m a very high-priced roadie,” says Quake. 

The Spring Chickens had a gig last week. It was the first live-music performance I’d attended since mid-March.

That’s quite a stretch of home quarantine for someone who is usually out three or four or five evenings a week. Maybe attending shows, or eating dinner at a restaurant or a friend’s house, or wandering over to a neighbor’s house with my dog. 

 

Falling in line with other festivals throughout the world, the Gateways Music Festival, postponed from earlier this summer, has confirmed plans to go virtual in November.

The event, which has brought classical musicians of African descent to Rochester since 1995, first partnered with the Eastman School of Music four years ago. Last year’s seven-day event was its largest ever, with 17 public programs, more than 30 community performances and 125 musicians. This year’s Gateways, a five-day event starting on Nov, 9, may be equally ambitious in a different way, when set against the challenge presented by COVID-19.


It’s nothing but the best for The Empty Hearts when the band goes off in search of inspiration. As Andy Babiuk tells it, there was this one night …

“I was backstage at a Stones show, hanging out with Mick Jagger,” Babiuk says, “and he goes, ‘Hey Andy, I have this song that I think would really work for The Empty Hearts.’ And he literally like, sang the whole song to me.”

Alas, it was, literally, a dream gig.

“And so I got up and I hummed the song into my iPhone and went back to bed,” Babiuk says. “Had I not done that, I would have never remembered it.”

The Rochester Philharmonic Orchestra confirmed Tuesday that it is postponing or canceling all of its September, October and November traditional programming. In place of the performances: Five livestreamed concerts, without an audience, from Kodak Hall at Eastman Theatre.

The affected shows include all philharmonic, Pops, Sunday Matinee and orKIDStra Series performances, as well as a series of specials that are being rescheduled for next summer. Events scheduled for December and beyond remain in place while the RPO awaits further word from the state.

The music is perhaps unlike anything you have heard. Or maybe it is like many things you've heard.

It is "Fountain," the debut album by Lyra Pramuk. Music that flows and explodes out of the classical and electronica realms. A droning, oscillating, leaping, humming. Machine-manipulated vocalizations with the influence of African rhythms dart with electricity and land somewhere between Gregorian chants and the poetry of Laurie Anderson songs.

As next month’s KeyBank Rochester Fringe Festival recalibrates for the new reality -- the event will be presented virtually -- the performers are having to rethink what Darren Stevenson calls “the canvas on which we create.”

The film is black and white, as was the issue. The camera work is a little jittery, as were the times. A Black man -- he looks to be in his mid-20s -- is talking about the relationship between the police and Black youths.

“They got feelings, we got feelings, they should consider that. I mean, if you get clubbed upside the head, man, it hurts. They should know that, if they get clubbed upside the head, that’s gonna hurt. You know what I mean?”

The problem with our new reality is, we can’t see it from where we are now.

The new reality, of course, is COVID-19. The numbers -- more than 600,000 dead worldwide, more than 140,000 dead in the United states -- tell us the virus is not a conspiracy theory. Science tells us it’s not going to simply disappear.

David Shakes knows what change looks like, and sounds like, and feels like. He finds it in writers such as James Baldwin, whose words have shadowed us as the country navigates the summer of Black Lives Matter.

Shakes is finding change in the words of Frederick Douglass, and in the narratives of slaves. And in "Emancipation Denied," a play written by a Rochester woman and brought to the stage four years ago by Shakes' North Star Players.

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