Classical 91.5

It's a new season of Carnegie Hall Live concerts, beginning 08/19/20 at 8pm

A new season of "live" concerts from Carnegie Hall begins with the Opening Night Gala that featured the Cleveland Orchestra and guest violinist Anne-Sophie Mutter, pianist Yefim Bronfman, and cellist Lynn Harrell, in one of his final performances before his passing in April 2020. Franz Welser-Möst conducts.

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Recent blog posts

Life as a Black Classical Pianist

Aug 12, 2020
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Editor’s note:  Canadian pianist Luke Welch says he feels like a unicorn in the world of classical music.  Luke was born and grew up in Mississauga, Ontario. He played his first public performance at age seven.  He’s passionate, talented, and sometimes bewildered by how he’s been treated.  I hope his account of his experiences will move you as much as it moves me.  ~ Brenda Tremblay

Editor's note: As soon as I read this essay by conductor Ramona Wis, I wanted to share it with you.  Dr. Wis's ideas offer comfort for everyone, not just musicians.  We can all face an uncertain future with grace and courage.  We're all in this together. ~  Brenda Tremblay

The Conductor as Yogi: From Holding Space to Making Space

By Ramona M. Wis

The first time I heard the phrase “holding space” was from a colleague describing her experience with someone going through a tough time.  “I just held space for her,” she said.  It was a phrase I was not familiar with but soon started seeing everywhere (or maybe it was just “blue car syndrome,” where my increased awareness led to noticing what was always there).

News from the world of Classical Music

https://nationalsawdust.org/

This week New York Public Radio (NYPR) announced that Edward Yim has been named Chief Content Officer for WQXR, New York City’s classical music station. Yim will be responsible for developing and implementing a strategic vision that helps WQXR reach a broader, more inclusive audience, drives digital innovation, bolsters WQXR’s role in New York City’s arts and culture ecosystem, and increases WQXR’s relevance and service to the city’s communities.

NPR Music / YouTube

There haven't been any live public performances at America's biggest arts center since mid-March.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.


"I hope everybody stays safe and is good to each other," Víkingur Ólafsson says at the end of this beautiful four-song set.

Updated at 5:25 p.m. ET

A now-former administrator of Opera Theatre of St. Louis [OTSL], Damon Bristo, was arrested last month for child sex trafficking in the second degree. Bristo has resigned from his position as the company's director of artistic administration.

Back in the days before the coronavirus pandemic, lots of people found community and comfort in singing together, whether at school, as a form of worship, in amateur groups or performing as professionals. Last year, Chorus America reported that some 54 million Americans — that is, more than 15% of the entire country's population — participated in some kind of organized group singing. And that study revealed that nearly three-quarters of those polled felt less lonely.

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On Record Interviews

This is a week of two large and beloved Russian works: Tchaikovsky's daunting Violin Concerto and Rachmaninov's lush Symphony No. 2. Marcelo Lehninger returns as guest conductor for your Rochester Philharmonic Orchestra, and violinist Blake Pouliot is making his RPO debut.  Both stopped by to chat with Julia Figueras about getting through the pitfalls of the concerto, avoiding potential excesses in the symphony and, in the mix, some fashion tips.

Your Rochester Philharmonic Orchestra and Music Director Ward Stare cap off the celebration of suffrage and Susan B. Anthony with "The Mother of Us All," Virgil Thomson's opera with a libretto by Gertrude Stein. The production, directed by Susan Stone Li, features singers from the Eastman School of Music. Ward and Susan stopped by to talk with Julia Figueras about putting the concert together, and about the path constructed by Thomson and Stein.

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Across the Universe/Jeff Spevak

The music is perhaps unlike anything you have heard. Or maybe it is like many things you’ve heard. 

It is “Fountain,” the debut album by Lyra Pramuk. Music that flows and explodes out of the classical and electronica realms. A droning, oscillating, leaping, humming. Machine-manipulated vocalizations with the influence of African rhythms dart with electricity and land somewhere between Gregorian chants and the poetry of Laurie Anderson songs.

The film is black and white, as was the issue. The camera work is a little jittery, as were the times. A Black man -- he looks to be in his mid-20s -- is talking about the relationship between the police and Black youths.

“They got feelings, we got feelings, they should consider that. I mean, if you get clubbed upside the head, man, it hurts. They should know that, if they get clubbed upside the head, that’s gonna hurt. You know what I mean?”

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